Showing posts with label Vietnam. Show all posts
Showing posts with label Vietnam. Show all posts

Thursday, June 2, 2011

Motorbike Helmets for Kids in Vietnam? Not yet.


A few years ago Vietnam finally passed a law requiring motorbike riders to wear a helmet but this law only required them for adult riders. Kids don't need them. Is somebody kidding somebody? We could blame the lawmakers for not seeing the fatalities and injuries amongst children but that shouldn't release parents from their basic responsibilities to protect those children should it? I didn't think so. And so an idea was hatched (yeah, bad pun) to do a public service campaign to speak to parents about the importance of the whole family wearing a helmet. In a country of what might be easily, 30 million motorbikes for roughly 80 million people the motorbike is a way of life in Vietnam. In fact it's an extension of life, an extra limb it has been called. But it's also a way of death, the highest rate of highway fatalities in Asia before enactment of the law.

On launch day, the government deployed 5000 police around the city (Saigon) to enforce strict fines ($10 is strict here) and lo and behold - one day nobody had a helmet and the next day they did. Except for the children. And this baffled the crap out of me. Didn't the people understand that a not fully formed skull can be crushed up to 60% easier than an adult's? Didn't they see it as important? And the answer is, 'no they didn't'. What was important to them was not paying a fine to comply with the law. Sad, I thought. No thought about the reasons one should wear a helmet at all.

Ask anyone what they believe to be a symbol of birth and childhood and you will eventually hear the word 'egg'. So I took that visual and put a helmet on it. It was funny. And it worked. We all know eggs crack easily and putting a helmet on them just reinforced the point. Photographer Mads Monsen and I worked together to create this campaign and we did it without a specific client in mind - because we thought the idea was important. Should you know of any organization in Vietnam who might be interested in running this work as a public service, please contact me. We would love to get this campaign up and running and doing the job the parents should be doing - getting all their kids to wear a helmet.


Friday, March 4, 2011

aSaigon/CreativeMorning welcomes Dinh Q. Lê, 18 March, 2011, 8:30am

Dinh Q. Lê in collaboration with Tran Quoc Hai,
Le Van Danh, Phu-Nam Thuc Ha, and 

Tuan Andrew Nguyen. Still from The Farmers 
and The Helicopters. 2006. Three-channel video 
(color, sound), 15 min., and helicopter. 
The Museum of Modern Art, New York. 
Dinh Q. Lê was born in Ha-Tien, Vietnam in 1968. He received his BA in Art studio at UC Santa Barbara in 1989 and his MFA in Photography and Related Media at The School of Visual Arts in New York City in 1992. In 1993, Lê returned to Vietnam and settled in Ho Chi Minh City in 1996. - - -  Lê’ s work has been exhibited worldwide. Recent solo exhibitions include, 'A Tapestry of Memories': at the Bellevue Art Museum, Washington State; 'Destination for the New Millennium', at the Asia Society, New York and  'Project 93': Dinh Q. Lê at MoMA, New York City.

His has also been included in the 55th International Short Film Festival Oberhausen, 2009 - City Visions Festival, Mechelen, Belgium; 2009 - Cuvee Biennale, Linz, Austria; 2008 - The Singapore Biennale - Thermocline of Art exhibition at ZKM in Germany - The 5th Asia Pacific Triennial at Gallery of Modern Art in Brisbane Australia - 'Universal Experience' at the Museum of Contemporary Art in Chicago; The Gwangju Biennial 2006, Korea - 'Persistent Vestiges': Drawings from the American-Vietnam War, The Drawing Center, New York - 'Infinite Painting', Villa Manin, Italy; 'Only Skin Deep' at the International Center for Photography, New York; Delays and Revolutions, Venice Biennale 2003.

His work is in the collections of the Museum of Modern Art (MoMA), New York; San Francisco Museum of Modern Art; The Hammer Museum, Los Angeles, The Los Angeles County Museum of Art; Portland Art Museum; The Bronx Museum, New York; Singapore Art Museum; Fukuoka Asian Art Museum; The Queensland Gallery of Modern Art. - - - Lê has also co-founded Vietnam Art Foundation-VNFA based in L.A., an organization that supports Vietnamese artists and promotes artistic exchange between cultural workers from Vietnam and the world. As an extension of VNFA, Lê and three other artists co-founded San Art, a non-profit gallery in Ho Chi Minh City. He is currently a board member of the Art Network Asia and Danish Embassy’s Cultural Development & Exchange Fund, and a member of the Asia Society’ s international council.




Sponsors include Malongo Coffee and The Tin Foil Grill. Location to be announced

Sunday, February 20, 2011

All about Adrian Jones and the 'restricted reading room' at the HCMC library

Sandrine Llouquet and Adrian Jones by Mads Monsen

This is the best photo of Sandrine that I have ever seen. It's all there. The beauty, the intellect, the daughter, the years, the partner, the desire to learn, the diaspora. Let us capture this forever. Because that's what aSaigonCreativeMorning is all about. It's about the ideas, and absorprtion and regurgitation and disparate cultures  and whatever happens after that. Too many coffees and I thought about this. Bad idea, all that coffee. But a better idea is what we all need. Dearly. That's it.

'You had to be there', as they say. And that's the idea. Did anybody know that an entire record of the North/South Vietnamese story, visual and written,  is kept, and not burned, at the Ho Chi Minh City Library? And only accessible to those with a permit. Adrian told stories of what it took to get that permit and what he found while there.

Adrian Jones, with a great love of story telling, is in the business of allowing the Vietnamese people to paint the world in a 20th century  context, having assembled the Witness Collection - the largest private collection of Vietnamese art in the world, because the Vietnamese and maybe only the Vietnamese, are uniquely qualified and skilled enough to do that. Eurpean colonialism, American Imperialism. Internal strife. Independence, Largely self-taught. This is our world history, not revisionist or propagandised. Balanced things.

Thank you Adrian. You had to be there and we thank you. And for those who weren't, you lost something.

Next month, a bit of great history and art, from the Museum of Modern Art in New York. And the Vietnamese artist who made it happen. Let's join together. But, you have to be there.

Thank you too Sandrine.

Full photos of the event are available on our Facebook group page.

Sunday, February 6, 2011

A little more about Adrian Jones - Engineering Student, Author, Video Game Developer, Software Entrepreneur, Sports Media Creator, Art Curator


Adrian Jones
Adrian Jones began his career in the UK in the early 1980s when he established a video games development company, working at the meeting point of art and technology.  He published his first book on the design and development of video games in 1983. After studying engineering at Cambridge University, Adrian came initially to Vietnam in 1986-87 to write a book and make a film.  During that period, he first encountered Vietnamese artists and started to collect their works, beginning a life-long passion for the region's arts.

Picasso, Nu
The collection, known as Witness Collection, today consists of nearly 2,000 works, regularly on loan at museums around the world and is accessible to researchers and scholars.

Pham Huy Thong, Buffalo Boy
As an entrepreneur, Adrian's work has been in the fields of media and telecommunications.  He was founder of the company behind WinMail, which became one of the three leading worldwide email products in the early 90s.  WinMail was adopted worldwide by IBM and won many industry awards for its effective use of graphical imagery (GUI) to improve interface ease-of-use.

From 1999-2002, Adrian was Executive Chairman of SportBusiness Group, based in London, New York and Munich, which he developed into the leading supplier of commercial information to the sports industry.  The company produced numerous specialist publications - both print and online - as well as international conferences, working closely with broadcasters, teams, sponsors and media agencies in more than 60 countries, as well as international sports organizations such as the IOC, FIFA, Formula 1 and UEFA Champions' League.

Duchamp,
Fountain
Adrian established Asiarta Foundation in 2009 to support projects in Asian art conservation, research and media.  At present, he is preparing to produce a documentary series for international broadcasters, which will look at the changing phases of the 20th century through the eyes of Vietnamese artists. Adrian also serves as a Director or Advisor to several private commercial companies and is Official Advisor to The National Gallery of Art, Singapore for their Vietnam collection.

Adrian will speak on 'What Makes Art Valuable?'  What is art?  And therefore what are we valuing? What inherent value does art have?  What broader value does art have to our community, society or country? Why do art pieces sometimes sell for such enormous sums? What underpins the commercial value of art?  And what changes it? What economic and social value does art have in Vietnam? What value does art have to our businesses? Why should we care about supporting the arts?



Saturday, February 5, 2011

aSaigon/CreativeMorning welcomes Witness Collection curator Adrian Jones - Friday, 18 Feb, 8:30am

'Goi Dao' - 1943 -
Tran Van Can (1910 -1994)

Adrian Jones, 44, is the founder of the Witness Collection, Director of Asiarta Foundation, and Advisor for the Vietnam collection to The National Art Gallery, Singapore. With more than 1000 pieces to date, Jones’ purpose in building the Witness Collection has been to “tell a story, the story of Vietnam’s people and society during the past century. Due to Vietnam being a microcosm for the world’s major social and political changes during that time, I [Jones] believe Vietnamese art tells the story of ‘our century’ in a way that art from no other country can."


Beyond works of art, Jones’ team has also traveled around Vietnam collecting old tubes of oil paint, unused canvases and old paper—in fact, pretty much any art material they can find that has been produced since the 1940s. They have also been interviewing elderly artists to gain a better understanding of their techniques. Jones also finds himself in a unique position helping define the value and merit of art in a nation with few domestic collectors of contemporary art.


“I’ve come to realise that, often unwittingly, we regularly take on a set of social responsibilities when collecting unique and original art – sometimes including responsibilities to a much larger community. Most artists create their works to be seen, so firstly we have at least some duty to the artist to share their works with other viewers, whether friends and family or wider afield.”, says Jones.


We're pleased to welcome Adrian and hope the morning will provide both visual and intellectual stimulation. The Witness Collection can be found here.


Register for the event here:




Sponsors: Coffee - Malongo, Breakfast - Tin Foil Grill. Space - TBWA